The Clash, Topper Headon, Joe Strummer, Mick Jones, Paul Simonon, ‘Strolling the Streets After Cancelled Tour, Contact Sheet’

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© Adrian Boot
Belfast, Northern Ireland. 1977

Digital archival print hand signed by the photographer
Paper size 17h x 24w inches
Edition of 25

Accompanied by a Certificate of Authenticity

Arguably Adrian’s most famous punk photographs are of The Clash on the streets of Belfast in the midst of ‘the Troubles’ – a period when being an Englishman on the streets of the city was not viewed as a wise move. Adrian reveals: ‘The Clash was always good, particularly with things like Belfast where we got into quite a lot of trouble… but I liked all that; I liked pushing the boundaries a bit. So there we were in Belfast; advised not to leave the hotel, which is precisely what we did. We got into a taxi and went down the Falls Road… I got into such trouble with the record company, which asked: “What are you doing endangering the lives of our band?” But the pictures got the covers of all three music papers – Sounds, Melody Maker and NME – the following week. After which CBS thought I was the best thing since sliced bread.’ Adrian Boot

‘Then punk came along and crossed over with reggae and the whole ‘Jamaica scene’. Basically, they all lived on the same council estate so the music crossed over and you got a lot of white kids going to reggae ‘shebeens’ and vice versa. So, that’s how I kind of got involved in The Clash and the punk scene, as well as the reggae scene which was beginning to grow. The Clash were really easy – they were nice people and quite well educated; they were the ‘art-school crowd’ I was talking about. With the Sex Pistols – well, John Lydon was an intelligent guy and he didn’t suffer fools. The others, well, you wouldn’t even try to have a conversation with Sid Vicious, but I only photographed the Sex Pistols two or three times.’ Adrian Boot

Dancing Ledge
Vulture Hound
Amateur Photographer
Just Backdated

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