Blondie, Debbie Harry, ‘Live at the Roundhouse, No.II’Regular price £400.00
© Adrian Boot
London, U.K. 1978
Digital archival print hand signed by the photographer
Paper size 20h x 16w inches
Edition of 25
Accompanied by a Certificate of Authenticity
‘I liked working with Debbie Harry because she was so picturesque,’ he says. ‘It revolved around whether I was going to get a good picture; if I knew I was going to get a good picture, I enjoyed it.’ Adrian Boot.
Adrian Boot, one of Britain’s best-known music photographers, began his career in the early 1970’s freelancing for NME, Melody Maker, The Times, The Guardian and The Face. Adrian regularly works with the World Photography Organisation and continues to travel throughout India, Asia, Africa and Jamaica, searching for and promoting positive images of the planet and its people. Adrian was at the heart of documenting the punk scene in the U.K. and the U.S.
‘Then punk came along and crossed over with reggae and the whole ‘Jamaica scene’. Basically, they all lived on the same council estate so the music crossed over and you got a lot of white kids going to reggae ‘shebeens’ and vice versa. So, that’s how I kind of got involved in The Clash and the punk scene, as well as the reggae scene which was beginning to grow. The Clash were really easy – they were nice people and quite well educated; they were the ‘art-school crowd’ I was talking about. With the Sex Pistols – well, John Lydon was an intelligent guy and he didn’t suffer fools. The others, well, you wouldn’t even try to have a conversation with Sid Vicious, but I only photographed the Sex Pistols two or three times.’ Adrian Boot
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