Victorian Stereoscopy, Elliott James (c.1833-c.1901), ‘The Fairy’ © Sir Brian May at Proud Galleries London

Victorian Stereoscopy, Elliott James (c.1833-c.1901), ‘The Fairy’

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© The Brian May Archive of Stereoscopy
c.1858
Digital archival fine art print hand signed by Sir Brian May
Price on Request / photography@proud.co.uk

Accompanied by a Certificate of Authenticity

‘The Fairy’ is an art piece by the Victorian artist Elliott James, who lived during the 19th century. The artwork was produced with stereoscopy in mind, so James was likely conscious about the sense of depth and dimensionality in the image. As the title suggests, we see a depiction of a fairy, a mythical and fantastical creature often associated with magic and wonder. The Victorian era aligned with a period of great fascination with folklore, mythology, and the supernatural, and these themes often found their way into the art and literature of the period.

The choice of subject matter, combined with the use of stereoscopy, would have made ‘The Fairy’ a captivating and immersive experience for viewers of its time. It is intriguing to consider how this artwork, when presented in 3D, may have excited and enchanted Victorian audiences, giving them a glimpse into a magical world through a somewhat magical form of media for its time.

Some time in 1854, at 313 Oxford Street, the 'London Stereoscope Company' was born, and under the leadership of Managing Partner George Swan Nottage, by 1856 the company had changed its name, to 'The London Stereoscopic Company”' and finally in May 1859 assumed the name it was to retain for years to come: the 'London Stereoscopic and Photographic Company'.

Their business was selling stereo views and viewers to the public, and they were leaders in a boom – a craze - which swept England, Europe, and eventually the United States too, of stereo photographs of every conceivable subject, which, viewed by means of a stereoscope, presented scenes in life-like three dimensions. In a world which had never experienced Television, the Movies, or the Internet, this was understandably a revelation. In February 1856, the London Stereoscopic Company (LSC) advertised, in the Photographic Journal, 'The largest collection in Europe, upwards of 10,000' stereo views.

Much of the workings of the LSC in its early years is still shrouded in mystery, and the relationship it had with the pioneering photographers whose work it published remains unclear, but the company was evidently at a peak of production by the end of the 1850s; today’s collections of the finest cards from this period by James Elliott, Alfred Silvester, Mark Anthony, Charles Goodman, and many others always contain large numbers of examples bearing the familiar blindstamps of the LSC. In the 1860s, one of the LSC’s notable publications of stereo cards was a long series depicting the interior of the 1862 International Exhibition, in what is now Exhibition Road, South Kensington.

All Queen and Victorian fine art prints are selected and hand-signed by Sir Brian May, and are accompanied by a gallery certificate of authenticity, a Queen stereo card pack and a Lite Owl Viewer, designed by Brian May.

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